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If we were stones there would be fire, 2020

oil on canvas, 75/70

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Haiku, 2020

oil on canvas, 62/55

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Politation, 2020

oil on canvas, 50/38

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Arrangement in blue & green, 2021

oil on canvas, 60/55

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Plumbago Auriculata, 2021

oil on canvas, 65/55

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Plumbago Auriculata, 2020

oil on board, 42/38

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Across the universe/Lungs, 2020

oil on board, 90/60

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Pinski Heights, 2020

oil on canvas, 88/55

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Pinski Slopes, 2020

oil on canvas, 60/50

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Bus Stop, 2020

oil on board, 50/37

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Triangle Tree, 2021

oil on canvas, 42/37

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Ajami, 2019

oil on canvas, 40/30

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Once upon a time in Folleterre, 2017

oil on canvas paper, 50/40

In 1990, The Israel Museum held a retrospective of the body of works by the Expressionist “Die Brücke” group, that was active in Dresden, Germany, during the turn of the 20th century. I, a boy of 15, was captivated by the boundless colorfulness and the sharp angles, the tools with which they broke the walls of the developing industrial world in favor of an escapist, hedonistic world. Sailing away in my imagination to a different life, a life that is carnal and harmonic between man and the nature that surrounds him.

The year is 2017 and I’m 42 years old, traveling for a week to a rural forest-filled landscape in eastern France, joining a community of Radical Faeries, an LGBT international movement that proposes an alternative culture, set in the heart of pastoral nature, advocating minimal use of modern technology while harvesting solar energy. Being the only painter in the group, I found myself creating an alternative culture of my own.

For a week, I stood at my post day after day, under a shed at a temperature of 10C degrees, while the heavens above me poured their showers, to paint, well, a bush.
Surrounding me, the very essence and embodiment of nature’s beautiful simplicity. Trees to the right of me, shrubbery to my left, the grass beneath me, and the skies above. I’m not stepping outside into the world to paint. I’m part of it.

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Hatkuma 1, 2016

oil on canvas, 100/100

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Hatkuma 2, 2016

oil on canvas, 120/100

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Fuel, 2015

oil on canvas, 75/75

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Kupat Holim Klalit, 2015

oil on board, 100/80

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Alphabet St., 2014

oil on paper, 70/55

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Yehuda Hayamit, 2014

oil on board, 70/70

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From Levanda St. to Yad Eliau, 2014

oil on board, 120/80

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Yehuda Hayamit, 2013

oil on board, 70/55

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Magen Avraham, 2013

oil on board, 70/55

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Yehuda Hayamit, 2012

oil on paper, 50/50

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untitled, 2012

oil on board, 35/27